There is no unified definition of folk performing arts expressions in legal practice. International legislation adopts the enumeration method and there are great differences, but all require the group nature of the performers and the nationality of the content. The folk performing arts expressions protected by the annex to the Bangui Agreement include: all traditional expressions of performing arts created by African resident groups, forming the basis of African cultural heritage and passed down from generation to generation. refer to all creations from a certain cultural community. These creations are based on tradition, expressed by a certain group or some individuals and are considered to be in line with the expectations of the community as an expression of its cultural and social characteristics. It can be seen that the Bangui Agreement defines it as something completed by a "group" rather than an "author", thereby excluding folk "works" that can be protected by conventional copyright law; the model clauses include creations that can be identified as being completed by nationals of a country or tribal groups of that country. In specific national legislation, Moroccan copyright law only refers to unpublished works that meet the conditions for creation; the copyright laws of Algeria and Tunisia do not require publication; Senegalese copyright law is limited to creations in the field of art... The author believes that the expression of folk performing arts refers to the types of tangible or intangible country list artistic methods that are collectively performed by the nation or race of a country, or can be presumed to be performed by members of a certain country or community, and passed down from generation to generation, forming unique cultural characteristics, folk styles, forms of expression and methods.